
Have you ever wanted to write a cultural commentary on
something? Maybe you weren’t sure of a way to put your feelings eloquently
enough or perhaps you wanted to be subtle about the point you were attempting
to get across but weren’t sure how to go about it. Well, whether your
intentions are blatant and subjective or subtle and discrete there are examples
all throughout literature.
“Diary of a Madman” is a short story by Chinese author Lu
Xun. It’s main focus is on the diary entries of a man who seems to be going
crazy. Suddenly, he sees everyone as being cannibalistic and out to get him.
“Man of La Mancha” is a short story by Taiwanese author Chu T'Ien-Hsin. It centers around a main character who
after a fall seems to have developed a sudden obsession with death and in
particular, how he might be thought of if one day he were to be found dead on
the street.
Both stories focus on subject that are taboo and were
especially taboo during the time that they were written. While the context of
Man of La Mancha seems rather blatant in its focus, the context behind Diary of
a Madman is rather subtle in its telling and perhaps could even be viewed as a
metaphor for something else entirely, indeed one where the company is mad
rather than the main character as the audience grows to think.
Summaries aside, both short stories prove that man is
capable of amazing works be it subtle ones or not so subtle. It also shows that
the short story platform is an excellent way to get a point across be it
political like in Diary of a Madman or taboo like in Man of La Mancha.
Short stories have taken the modern world by storm, often
showing up in anthologies such as Because
You Love to Hate Me, a short story collection that focuses on the villains
rather than the typical modern day hero or heroine but the ideas in short
stories do not always have to be short to get their point across. There are plenty
of modern day tellings that have some sociopolitical path to tread, for
example, The
Hate You Give, a story by Angie Thomas that tackles the Black Lives Matter
Movement with taste and emotion.
If both Lu Xun and Chu T’ien-hsin were alive today I’m sure
they would look upon the modern-day world of the short story, of the story in
general with pride. Their artform has lived on.
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