Saturday, November 18, 2017

So Real You Can Touch It: On Magical Realism

“To master magical realism, one must make the real seem unreal but, more importantly, make the unreal seem real.”
― Kevin Ansbro

mag·ic re·al·ism
noun
noun: magic realism; noun: magical realism
a literary or artistic genre in which realistic narrative and naturalistic technique are combined with surreal elements of dream or fantasy.

Magical realism is a genre of both writing and art that depicts surreal elements in a natural world, sometimes as if the magic truly belongs there.

It can be found constantly throughout popular culture, be it vampires living in a small town, behaving like everyday citizens (The Vampire Diaries) or a girl whose whole family grows wings, a feat that happens nowhere else in the book but is widely accepted as fact (The Strange and Beautiful Sorrows of Ava Lavender) and it as a genre in literature is only trending forward. Magical realism is here to stay believe it or not.

And don’t worry about teaching your students the right way to appreciate these wonderful works of literature. The excellent thing about magical realism is that while the magic is believable, it is done in a way that still allows for personal involvement and individual interpretation. No matter what, the reader is always in control. 


In Death Constant Beyond Love, a short story by Gabriel Garcia-Marquez the magical elements are incredibly tangible, touchable things. In a particular scene, the main character, a businessman is seen presenting artificial things to a town, things that wouldn’t benefit the town as much as he says. He does this in a way that is magical, that is so intriguing to the audience that you almost start to believe yourself. And yet, not everyone who reads this story will fall for the magical elements.
That is the power of reading. 

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